• How to Synthesize Risers

    Whooshing risers act as punctuation within a track, signifying the end of one section and the beginning of the next. The simplest kind of riser is just a white-noise generator run through an automated filter.

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  • How to Create a Multi-Sample in Ableton Sampler

    Ableton’s Sampler plug-in is a powerful audio manipulation tool that lets you transform raw audio samples into a playable instrument.

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  • Extreme Sample Stretching

    Stretching out audio can do magical things to it: hidden melodies appear, transients crumble into blurs, and tiny blips of sound turn into rich soundscapes.

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  • How to Make Sub-Kicks

    If the kick sample you’re using isn’t beefy enough, layer it with a low-pitched synthesized sub-kick. The sub-kick adds bass without overly changing the tonal character of the kick.

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  • 3-D Mixing

    To prevent sonic conflict, each element in your track needs its own space in the mix. To help you put each element in its own space, think of the mix as if it were filling a room...

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  • Extreme Sample Stretching

    Stretching out audio can do magical things to it: hidden melodies appear, transients crumble into blurs, and tiny blips of sound turn into rich soundscapes.

    Read More
  • Build a Bass Mono/Stereo Rack in Ableton

    Generally speaking, the bass channel in a track should be in mono: most subwoofers (not to mention club soundsystems) play a mono signal much better than a stereo one.

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  • Build a Bass Mono/Stereo Rack in Ableton

    Generally speaking, the bass channel in a track should be in mono: most subwoofers (not to mention club soundsystems) play a mono signal much better than a stereo one.

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  • How to Use Multi-Layer Synths in Ableton

    Using MIDI tracks to play the different instruments inside a multi-layer synthesizer plug-in can potentially save you massive amounts of CPU power. Instead of loading a new copy of the VST instrument for each part, you can open several instruments inside the same plug-in.

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