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Adding Movement to Pads

Pads are simple, drawn-out synths that sit in the background of a track. Because they’re background instruments, pads are usually fairly uncomplicated, so as not to distract from the rest of the track.

Audio Effects 101: Time-based FX

Time-altering audio effects like reverbs, delays and choruses all function in essentially the same way: they capture a portion of an input sound, delay it slightly, then play it back.

How to Make a House Beat

Open Drum Rack on a MIDI track, then set the global BPM to about 125. Load up a kick, snare, hi-hat, shaker, crash cymbal and ride cymbal. Turn all of the samples’ velocity controls up. Create a new MIDI clip, then put a kick on 1, 1.2, 1.3 and 1.4. Put the snare sample on 1.2 and 1.4. Program the hi-hat on 1.1.3, 1.2.3, 1.3.3 and 1.4.3. Add a shaker on every sixteenth note.

Make a Drum & Bass Beat

Set Ableton’s tempo to around 175 bpm. Open Drum Rack and load up a kick and snare. Create a new MIDI clip, then put the kick on 1 and 1.3.3. Put a snare on 1.2 and 1.4. This rhythm is the basis of the drum ‘n’ bass beat. Load up three hi-hat samples: one short closed hi-hat and two longer open hi-hats.

How to Create a Multi-Sample in Ableton Sampler

Ableton’s Sampler plug-in is a powerful audio manipulation tool that lets you transform raw audio samples into a playable instrument.

Using Triplets in Beats

The elements of electronic music are generally divisible by four: four kicks per bar, eight bars per loop, sixteen notes in a melody. To add interest to your beats, break up the 4/4 using triplet drums. A triplet jams three notes into a space that should only be occupied by two.

Extreme Sample Stretching

Stretching out audio can do magical things to it: hidden melodies appear, transients crumble into blurs, and tiny blips of sound turn into rich soundscapes.

Using Drum Loops

Adding a drum loop on top of a programmed MIDI beat is a quick way to give it a more fluid, natural sound. Think of the MIDI clip as the base of the beat, and the loop as the ornamentation. Unfortunately, Drum Rack and Impulse can’t warp samples, so unless the loop that you’re using was recorded at the same tempo as the track you’re making (and is perfectly in time), you’ll need to add it to a separate audio track.

Extreme Sample Stretching

Stretching out audio can do magical things to it: hidden melodies appear, transients crumble into blurs, and tiny blips of sound turn into rich soundscapes.

Doubling Vocals

Doubling vocals makes them sound bigger and fuller in the mix. A vocal doubler plug-in creates two (or more) copies of the vocal, pans them to the left and right, then adds a slightly different delay...