• Extreme Sample Stretching

    Stretching out audio can do magical things to it: hidden melodies appear, transients crumble into blurs, and tiny blips of sound turn into rich soundscapes.

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  • Make a Drum & Bass Beat

    Set Ableton’s tempo to around 175 bpm. Open Drum Rack and load up a kick and snare. Create a new MIDI clip, then put the kick on 1 and 1.3.3. Put a snare on 1.2 and 1.4. This rhythm is the basis of the drum ‘n’ bass beat. Load up three hi-hat samples: one short closed hi-hat and two longer open hi-hats.

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  • Track Maps

    One of the best ways to learn about arranging tracks is to analyze other artists’. Pick one of your favourite tracks, then listen closely to it, noting how and when each element enters and leaves the arrangement.

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  • MIDI Drum Patterns for EDM

    Programming beats using MIDI with Ableton Drum Rack (or any other drum machine) gives you a degree of customization and flexibility that using pre-fab loops can’t match. When you’re starting to produce in a new genre, though, it can be difficult to figure out exactly where each drum hit should go.

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  • Using the Ableton Chord Plug-in

    Ableton’s Chord MIDI effect automatically creates a chord from a single MIDI note. The Chord plug-in is really only useful in conjunction with the Scale plug-in, so start by dropping a Scale effect before the synth.

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  • Vinyl-ize Your Track

    Incorporating the crackles and hiss from a vinyl record into your digital production adds a subtle layer of dusty soul to your track.

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  • Adding Movement to Pads

    Pads are simple, drawn-out synths that sit in the background of a track. Because they’re background instruments, pads are usually fairly uncomplicated, so as not to distract from the rest of the track.

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  • Make a Formant Filter

    Formant filters (loosely) simulate the characteristics of the human voice. When a formant filter is set to the letter “E,” for example, it emphasizes the frequencies contained in the “E” sound...

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  • Make a Track from Found Sounds

    Prepackaged sample packs are great tools, but unless you alter the samples extensively, they can make your tracks sound cookie-cutter and samey. Recording your own sample packs gives your production a unique sound;

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  • Tune Synths to A432 in Ableton

    The idea that the note A3 should correspond to the frequency 440 Hz is a fairly recent one; although A440?s been in use since the 19th century, it’s only since the 1950s that it’s been accepted as the standard tuning.

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