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Vinyl-ize Your Track

Incorporating the crackles and hiss from a vinyl record into your digital production adds a subtle layer of dusty soul to your track.

Set Ableton’s tempo to around 175 bpm. Open Drum Rack and load up a kick and snare. Create a new MIDI clip, then put the kick on 1 and 1.3.3. Put a snare on 1.2 and 1.4. This rhythm is the basis of the drum ‘n’ bass beat. Load up three hi-hat samples: one short closed hi-hat and two longer open hi-hats.

How to Make a House Beat

Open Drum Rack on a MIDI track, then set the global BPM to about 125. Load up a kick, snare, hi-hat, shaker, crash cymbal and ride cymbal. Turn all of the samples’ velocity controls up. Create a new MIDI clip, then put a kick on 1, 1.2, 1.3 and 1.4. Put the snare sample on 1.2 and 1.4. Program the hi-hat on 1.1.3, 1.2.3, 1.3.3 and 1.4.3. Add a shaker on every sixteenth note.

MIDI Drum Patterns for EDM

Programming beats using MIDI with Ableton Drum Rack (or any other drum machine) gives you a degree of customization and flexibility that using pre-fab loops can’t match. When you’re starting to produce in a new genre, though, it can be difficult to figure out exactly where each drum hit should go.

Using the Ableton Scale Plug-In

A musical key defines the relationship of the notes in a song. Without going into too much music theory, keeping the different elements of a track in the same key is essential to making them fit together musically.

How to Synthesize Drums

Samples make creating beats quick and easy, but knowing how to synthesize your own kicks, snares and hi-hats will give you a better understanding of how drum sounds work. Start up Ableton’s Operator synth, then create a new MIDI clip. Add a note on each quarter beat. It doesn’t matter which note you use: you’ll be setting the pitch using the synthesizer itself.

Audio Effects 101: Time-based FX

Time-altering audio effects like reverbs, delays and choruses all function in essentially the same way: they capture a portion of an input sound, delay it slightly, then play it back.

Mixing the Bass and Kick

Because the bassline and the kick drum are the two lowest-frequency elements of your track, they’ll often end up occupying the same space...

Make a Formant Filter

Formant filters (loosely) simulate the characteristics of the human voice. When a formant filter is set to the letter “E,” for example, it emphasizes the frequencies contained in the “E” sound...

Using Drum Loops

Adding a drum loop on top of a programmed MIDI beat is a quick way to give it a more fluid, natural sound. Think of the MIDI clip as the base of the beat, and the loop as the ornamentation. Unfortunately, Drum Rack and Impulse can’t warp samples, so unless the loop that you’re using was recorded at the same tempo as the track you’re making (and is perfectly in time), you’ll need to add it to a separate audio track.