• 3-D Mixing

    To prevent sonic conflict, each element in your track needs its own space in the mix. To help you put each element in its own space, think of the mix as if it were filling a room...

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  • Make a Formant Filter

    Formant filters (loosely) simulate the characteristics of the human voice. When a formant filter is set to the letter “E,” for example, it emphasizes the frequencies contained in the “E” sound...

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  • Tips for Using Reverb

    A reverb effect creates a complex series of echoes from a source sound. Reverb usually simulates a certain listening environment like a jazz club or a concert hall; used heavily and creatively, it can also warp a source sound until it’s unrecognizable.

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  • How to Make Sub-Kicks

    If the kick sample you’re using isn’t beefy enough, layer it with a low-pitched synthesized sub-kick. The sub-kick adds bass without overly changing the tonal character of the kick.

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  • How to Use Multi-Layer Synths in Ableton

    Using MIDI tracks to play the different instruments inside a multi-layer synthesizer plug-in can potentially save you massive amounts of CPU power. Instead of loading a new copy of the VST instrument for each part, you can open several instruments inside the same plug-in.

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  • Frequency Splitting with Effects

    Frequency splitting divides a sound’s frequency spectrum into sections, allowing you to alter one section of the spectrum without changing the rest.

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  • Doubling Drums

    Using two copies of the same drum sample in a beat makes the drums sound bigger and fuller. Load up a kick, snare and hi-hat into Ableton’s Drum Rack, then open the Rack’s “Chains” section. Right-click the snare drum in the list of chains and select “Duplicate.” Do the same for the hi-hat.

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  • Using Drum Loops

    Adding a drum loop on top of a programmed MIDI beat is a quick way to give it a more fluid, natural sound. Think of the MIDI clip as the base of the beat, and the loop as the ornamentation. Unfortunately, Drum Rack and Impulse can’t warp samples, so unless the loop that you’re using was recorded at the same tempo as the track you’re making (and is perfectly in time), you’ll need to add it to a separate audio track.

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  • Mixing the Bass and Kick

    Because the bassline and the kick drum are the two lowest-frequency elements of your track, they’ll often end up occupying the same space...

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  • Using the Ableton Chord Plug-in

    Ableton’s Chord MIDI effect automatically creates a chord from a single MIDI note. The Chord plug-in is really only useful in conjunction with the Scale plug-in, so start by dropping a Scale effect before the synth.

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