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Using Triplets in Beats
The elements of electronic music are generally divisible by four: four kicks per bar, eight bars per loop, sixteen notes in a melody. To add interest to your beats, break up the 4/4 using triplet drums. A triplet jams three notes into a space that should only be occupied by two.
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Extreme Sample Stretching
Stretching out audio can do magical things to it: hidden melodies appear, transients crumble into blurs, and tiny blips of sound turn into rich soundscapes.
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Make a Synth from a Sample
All sounds, synthesized or natural, are made up of waves. Most synthesizers produce simple, pure waveforms, while naturally occurring sounds are much messier — and more interesting.
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Using the Ableton Chord Plug-in
Ableton’s Chord MIDI effect automatically creates a chord from a single MIDI note. The Chord plug-in is really only useful in conjunction with the Scale plug-in, so start by dropping a Scale effect before the synth.
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How to Make a Trance Gate Effect
Add the sound that you want to gate (either a piece of recorded audio or a synth plug-in) to a new channel in Ableton. Create a new MIDI channel, then add the Impulse drum machine to this new channel....
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Reverse Snares
Load a snare sample into Drum Rack. Load another copy of the same sample onto an empty audio channel. Double-click the sample on the audio channel, then click the “Rev.” button. Ableton will reverse the sample. The reversed sample is an irregular length, which is going to make it hard to use in a MIDI loop. To fix this, click the “Warp” button to warp the clip, then drag the trim…
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Track Maps
One of the best ways to learn about arranging tracks is to analyze other artists’. Pick one of your favourite tracks, then listen closely to it, noting how and when each element enters and leaves the arrangement.
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Using Keytracking
Keytracking changes a synthesizer’s parameters depending on which note the synth is playing. When positive keytracking is enabled for a parameter, the parameter increases for high notes and decreases for low notes
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How to Make Sub-Kicks
If the kick sample you’re using isn’t beefy enough, layer it with a low-pitched synthesized sub-kick. The sub-kick adds bass without overly changing the tonal character of the kick.
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Audio Effects 101: Time-based FX
Time-altering audio effects like reverbs, delays and choruses all function in essentially the same way: they capture a portion of an input sound, delay it slightly, then play it back.
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