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Make a Moombahton Beat

Programming a moombahton drum pattern in Ableton Live is somewhat similar to making a house beat — but with some significant differences. To create its swinging, funky vibe, moombahton uses more syncopated and off-beat percussion than house usually does.

Make a Revving Bassline in Massive

Smoother Chord Progressions

When a group of instruments — like a string section — plays together, each instrument starts and stops each note at a slightly different time. Digitally programmed instruments, on the other hand, will start and stop exactly where they’re told to.

Synchronize a Sidechained Compressor to the Beat

Sidechained compression is an ubiquitous sound in dance music. Its pumping sound brings a shot of energy to basslines, pads, lead synths, vocals: nearly any element of an EDM track.

Return Track Tips & Tricks

Ableton’s Drum Rack instrument has its own integrated send/return section, which allows you to add return effects to individual drum samples.

Doubling Vocals

Doubling vocals makes them sound bigger and fuller in the mix. A vocal doubler plug-in creates two (or more) copies of the vocal, pans them to the left and right, then adds a slightly different delay...

Synchronize a Sidechained Compressor to the Beat

Sidechained compression is an ubiquitous sound in dance music. Its pumping sound brings a shot of energy to basslines, pads, lead synths, vocals: nearly any element of an EDM track.

Snare Rolls

It’s been around forever, but the snare roll is still a dancefloor-devastating way to lead out of the breakdown and back into the beat. If your snare roll sounds too robotic and programmed, use MIDI velocity control to make it sound more natural. Program in a basic snare roll (four eighth notes, followed by four sixteenth notes, then eight 32nd notes).

Return Track Tips & Tricks

Ableton’s Drum Rack instrument has its own integrated send/return section, which allows you to add return effects to individual drum samples.

How to Make Sub-Kicks

If the kick sample you’re using isn’t beefy enough, layer it with a low-pitched synthesized sub-kick. The sub-kick adds bass without overly changing the tonal character of the kick.