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How to Make Sub-Kicks

If the kick sample you’re using isn’t beefy enough, layer it with a low-pitched synthesized sub-kick. The sub-kick adds bass without overly changing the tonal character of the kick.

Build a Bass Mono/Stereo Rack in Ableton

Generally speaking, the bass channel in a track should be in mono: most subwoofers (not to mention club soundsystems) play a mono signal much better than a stereo one.

Using Pitch Bend

Pitch bending smoothly lowers or raises the pitch of a note according to a defined envelope. You can quickly access a MIDI clip’s pitch bend envelope in Ableton...

Using two copies of the same drum sample in a beat makes the drums sound bigger and fuller. Load up a kick, snare and hi-hat into Ableton’s Drum Rack, then open the Rack’s “Chains” section. Right-click the snare drum in the list of chains and select “Duplicate.” Do the same for the hi-hat.

Doubling Vocals

Doubling vocals makes them sound bigger and fuller in the mix. A vocal doubler plug-in creates two (or more) copies of the vocal, pans them to the left and right, then adds a slightly different delay...

How to Create a Multi-Sample in Ableton Sampler

Ableton’s Sampler plug-in is a powerful audio manipulation tool that lets you transform raw audio samples into a playable instrument.

Adding Movement to Pads

Pads are simple, drawn-out synths that sit in the background of a track. Because they’re background instruments, pads are usually fairly uncomplicated, so as not to distract from the rest of the track.

Using the Ableton Chord Plug-in

Ableton’s Chord MIDI effect automatically creates a chord from a single MIDI note. The Chord plug-in is really only useful in conjunction with the Scale plug-in, so start by dropping a Scale effect before the synth.

Tune Synths to A432 in Ableton

The idea that the note A3 should correspond to the frequency 440 Hz is a fairly recent one; although A440?s been in use since the 19th century, it’s only since the 1950s that it’s been accepted as the standard tuning.

3-D Mixing

To prevent sonic conflict, each element in your track needs its own space in the mix. To help you put each element in its own space, think of the mix as if it were filling a room...