• How to Make Sub-Kicks

    If the kick sample you’re using isn’t beefy enough, layer it with a low-pitched synthesized sub-kick. The sub-kick adds bass without overly changing the tonal character of the kick.

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  • Using Pitch Bend

    Pitch bending smoothly lowers or raises the pitch of a note according to a defined envelope. You can quickly access a MIDI clip’s pitch bend envelope in Ableton...

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  • Return Track Tips & Tricks

    Ableton’s Drum Rack instrument has its own integrated send/return section, which allows you to add return effects to individual drum samples.

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  • The Best Drum Sample Packs for EDM (Part 1)

    There are probably millions if not billions of drum samples that you can download and drop into your DAW’s drum machine. The depth and availability of these sounds is amazing, but it makes sorting through the billions of samples to find the best ones a bit tough. Here are, in our opinion, five of the best drum sample packs for producing house, drum ‘n’ bass, electrohouse, hip-hop, and trance.

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  • How to Synthesize Drums

    Samples make creating beats quick and easy, but knowing how to synthesize your own kicks, snares and hi-hats will give you a better understanding of how drum sounds work. Start up Ableton’s Operator synth, then create a new MIDI clip. Add a note on each quarter beat. It doesn’t matter which note you use: you’ll be setting the pitch using the synthesizer itself.

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  • Using Pitch Bend

    Pitch bending smoothly lowers or raises the pitch of a note according to a defined envelope. You can quickly access a MIDI clip’s pitch bend envelope in Ableton...

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  • Using Drum Loops

    Adding a drum loop on top of a programmed MIDI beat is a quick way to give it a more fluid, natural sound. Think of the MIDI clip as the base of the beat, and the loop as the ornamentation. Unfortunately, Drum Rack and Impulse can’t warp samples, so unless the loop that you’re using was recorded at the same tempo as the track you’re making (and is perfectly in time), you’ll need to add it to a separate audio track.

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  • 3-D Mixing

    To prevent sonic conflict, each element in your track needs its own space in the mix. To help you put each element in its own space, think of the mix as if it were filling a room...

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  • Mixing the Bass and Kick

    Because the bassline and the kick drum are the two lowest-frequency elements of your track, they’ll often end up occupying the same space...

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  • Frequency Splitting with Effects

    Frequency splitting divides a sound’s frequency spectrum into sections, allowing you to alter one section of the spectrum without changing the rest.

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