• Synchronize a Sidechained Compressor to the Beat

    Sidechained compression is an ubiquitous sound in dance music. Its pumping sound brings a shot of energy to basslines, pads, lead synths, vocals: nearly any element of an EDM track.

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  • How to Make a Trance Gate Effect

    Add the sound that you want to gate (either a piece of recorded audio or a synth plug-in) to a new channel in Ableton. Create a new MIDI channel, then add the Impulse drum machine to this new channel....

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  • Audio Effects 101: Time-based FX

    Time-altering audio effects like reverbs, delays and choruses all function in essentially the same way: they capture a portion of an input sound, delay it slightly, then play it back.

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  • How to Create a Multi-Sample in Ableton Sampler

    Ableton’s Sampler plug-in is a powerful audio manipulation tool that lets you transform raw audio samples into a playable instrument.

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  • Audio Effects 101: Time-based FX

    Time-altering audio effects like reverbs, delays and choruses all function in essentially the same way: they capture a portion of an input sound, delay it slightly, then play it back.

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  • MIDI Drum Patterns for EDM

    Programming beats using MIDI with Ableton Drum Rack (or any other drum machine) gives you a degree of customization and flexibility that using pre-fab loops can’t match. When you’re starting to produce in a new genre, though, it can be difficult to figure out exactly where each drum hit should go.

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  • Arranging Dance Music

    A dance track usually has a looser structure than a hip-hop or pop song — but it does have a structure. Following a structure when you’re arranging your track makes it more DJ-friendly — and therefore more likely to get played out in a club.

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  • Snare Rolls

    It’s been around forever, but the snare roll is still a dancefloor-devastating way to lead out of the breakdown and back into the beat. If your snare roll sounds too robotic and programmed, use MIDI velocity control to make it sound more natural. Program in a basic snare roll (four eighth notes, followed by four sixteenth notes, then eight 32nd notes).

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  • 3-D Mixing

    To prevent sonic conflict, each element in your track needs its own space in the mix. To help you put each element in its own space, think of the mix as if it were filling a room...

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  • Using Keytracking

    Keytracking changes a synthesizer’s parameters depending on which note the synth is playing. When positive keytracking is enabled for a parameter, the parameter increases for high notes and decreases for low notes

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