• Extreme Sample Stretching

    Stretching out audio can do magical things to it: hidden melodies appear, transients crumble into blurs, and tiny blips of sound turn into rich soundscapes.

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  • Build a Bass Mono/Stereo Rack in Ableton

    Generally speaking, the bass channel in a track should be in mono: most subwoofers (not to mention club soundsystems) play a mono signal much better than a stereo one.

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  • Build a Bass Mono/Stereo Rack in Ableton

    Generally speaking, the bass channel in a track should be in mono: most subwoofers (not to mention club soundsystems) play a mono signal much better than a stereo one.

    Read More
  • Extreme Sample Stretching

    Stretching out audio can do magical things to it: hidden melodies appear, transients crumble into blurs, and tiny blips of sound turn into rich soundscapes.

    Read More
  • Frequency Splitting with Effects

    Frequency splitting divides a sound’s frequency spectrum into sections, allowing you to alter one section of the spectrum without changing the rest.

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  • Using Triplets in Beats

    The elements of electronic music are generally divisible by four: four kicks per bar, eight bars per loop, sixteen notes in a melody. To add interest to your beats, break up the 4/4 using triplet drums. A triplet jams three notes into a space that should only be occupied by two.

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  • Tips for Using Reverb

    A reverb effect creates a complex series of echoes from a source sound. Reverb usually simulates a certain listening environment like a jazz club or a concert hall; used heavily and creatively, it can also warp a source sound until it’s unrecognizable.

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  • Return Track Tips & Tricks

    Ableton’s Drum Rack instrument has its own integrated send/return section, which allows you to add return effects to individual drum samples.

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  • Make a Moombahton Beat

    Programming a moombahton drum pattern in Ableton Live is somewhat similar to making a house beat — but with some significant differences. To create its swinging, funky vibe, moombahton uses more syncopated and off-beat percussion than house usually does.

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