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Make a Track from Found Sounds

Prepackaged sample packs are great tools, but unless you alter the samples extensively, they can make your tracks sound cookie-cutter and samey. Recording your own sample packs gives your production a unique sound;

Make a Revving Bassline in Massive

Tune Synths to A432 in Ableton

The idea that the note A3 should correspond to the frequency 440 Hz is a fairly recent one; although A440?s been in use since the 19th century, it’s only since the 1950s that it’s been accepted as the standard tuning.

How to Synthesize Risers

Whooshing risers act as punctuation within a track, signifying the end of one section and the beginning of the next. The simplest kind of riser is just a white-noise generator run through an automated filter.

Mixing the Bass and Kick

Because the bassline and the kick drum are the two lowest-frequency elements of your track, they’ll often end up occupying the same space...

Vinyl-ize Your Track

Incorporating the crackles and hiss from a vinyl record into your digital production adds a subtle layer of dusty soul to your track.

Adding Movement to Pads

Pads are simple, drawn-out synths that sit in the background of a track. Because they’re background instruments, pads are usually fairly uncomplicated, so as not to distract from the rest of the track.

Make a Track from Found Sounds

Prepackaged sample packs are great tools, but unless you alter the samples extensively, they can make your tracks sound cookie-cutter and samey. Recording your own sample packs gives your production a unique sound;

Tips for Using Reverb

A reverb effect creates a complex series of echoes from a source sound. Reverb usually simulates a certain listening environment like a jazz club or a concert hall; used heavily and creatively, it can also warp a source sound until it’s unrecognizable.

Vinyl-ize Your Track

Incorporating the crackles and hiss from a vinyl record into your digital production adds a subtle layer of dusty soul to your track.