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3-D Mixing
To prevent sonic conflict, each element in your track needs its own space in the mix. To help you put each element in its own space, think of the mix as if it were filling a room...
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Build a Bass Mono/Stereo Rack in Ableton
Generally speaking, the bass channel in a track should be in mono: most subwoofers (not to mention club soundsystems) play a mono signal much better than a stereo one.
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Make a Moombahton Beat
Programming a moombahton drum pattern in Ableton Live is somewhat similar to making a house beat — but with some significant differences. To create its swinging, funky vibe, moombahton uses more syncopated and off-beat percussion than house usually does.
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How to Make a Trance Gate Effect
Add the sound that you want to gate (either a piece of recorded audio or a synth plug-in) to a new channel in Ableton. Create a new MIDI channel, then add the Impulse drum machine to this new channel....
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Vinyl-ize Your Track
Incorporating the crackles and hiss from a vinyl record into your digital production adds a subtle layer of dusty soul to your track.
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Extreme Sample Stretching
Stretching out audio can do magical things to it: hidden melodies appear, transients crumble into blurs, and tiny blips of sound turn into rich soundscapes.
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Mixing the Bass and Kick
Because the bassline and the kick drum are the two lowest-frequency elements of your track, they’ll often end up occupying the same space...
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Tips for Using Reverb
A reverb effect creates a complex series of echoes from a source sound. Reverb usually simulates a certain listening environment like a jazz club or a concert hall; used heavily and creatively, it can also warp a source sound until it’s unrecognizable.
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