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Using Keytracking
Keytracking changes a synthesizer’s parameters depending on which note the synth is playing. When positive keytracking is enabled for a parameter, the parameter increases for high notes and decreases for low notes
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Mixing the Bass and Kick
Because the bassline and the kick drum are the two lowest-frequency elements of your track, they’ll often end up occupying the same space...
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Mixing the Bass and Kick
Because the bassline and the kick drum are the two lowest-frequency elements of your track, they’ll often end up occupying the same space...
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Doubling Vocals
Doubling vocals makes them sound bigger and fuller in the mix. A vocal doubler plug-in creates two (or more) copies of the vocal, pans them to the left and right, then adds a slightly different delay...
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Using Drum Loops
Adding a drum loop on top of a programmed MIDI beat is a quick way to give it a more fluid, natural sound. Think of the MIDI clip as the base of the beat, and the loop as the ornamentation. Unfortunately, Drum Rack and Impulse can’t warp samples, so unless the loop that you’re using was recorded at the same tempo as the track you’re making (and is perfectly in time), you’ll need to add it to a separate audio track.
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Reverse Snares
Load a snare sample into Drum Rack. Load another copy of the same sample onto an empty audio channel. Double-click the sample on the audio channel, then click the “Rev.” button. Ableton will reverse the sample. The reversed sample is an irregular length, which is going to make it hard to use in a MIDI loop. To fix this, click the “Warp” button to warp the clip, then drag the trim…
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Snare Rolls
It’s been around forever, but the snare roll is still a dancefloor-devastating way to lead out of the breakdown and back into the beat. If your snare roll sounds too robotic and programmed, use MIDI velocity control to make it sound more natural. Program in a basic snare roll (four eighth notes, followed by four sixteenth notes, then eight 32nd notes).
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Using Keytracking
Keytracking changes a synthesizer’s parameters depending on which note the synth is playing. When positive keytracking is enabled for a parameter, the parameter increases for high notes and decreases for low notes
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3-D Mixing
To prevent sonic conflict, each element in your track needs its own space in the mix. To help you put each element in its own space, think of the mix as if it were filling a room...
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Smoother Chord Progressions
When a group of instruments — like a string section — plays together, each instrument starts and stops each note at a slightly different time. Digitally programmed instruments, on the other hand, will start and stop exactly where they’re told to.
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